Cure for the Confined CreativeA Digital Toolkit for Turning Cabin Fever Into Creative FervourAug 24, 2021Aug 24, 2021
How the Photography Industry’s Racial Bias Left Those With Darker Skin in the Shadows (Quite…In “Gender and Early Telephone Culture”, Michèle Martin cites a source stating that telephone-company managers believed “women’s use of…Feb 10, 2021Feb 10, 2021
Published inCARRE4Making Millions on TikTok — an Ad-Based Revenue Model, ExplainedIn his book Promotional Culture: Advertising, Ideology and Symbolic Expression, Andrew Wernick (Emeritus Professor of Cultural Studies and…Feb 2, 2021Feb 2, 2021
BoJack Horseman’s Humanity Is in Its AnthropomorphismBefore delving into the mechanics of how BoJack Horseman simultaneously accumulated a dedicated fan base and equally appreciative critics…Jan 24, 2021Jan 24, 2021
Published inCARRE4I’m Going to Think Twice Before Shopping Online With Next-Day DeliveryHow do warehouse environments complicate ways we typically think about work in the digital era?Jan 17, 2021Jan 17, 2021
Freud, Fear, Family—Horror Movies Are More Psychoanalytical Than You ThinkThe horror films The Exorcist (William Friedkin, 1973) and The Babadook (Jennifer Kent, 2014) both have varying representations of gender…Jan 10, 2021Jan 10, 2021
Black Mirror’s “Nosedive” Was About Social Isolation — of a Different Kind“Nosedive” was the first episode of the third season of the dark science-fiction anthology series Black Mirror and it was released on…Jan 3, 2021Jan 3, 2021
A Multi-Faceted Look at Motherhood in MoviesLuchino Visconti’s film Bellisima (1951) and Pedro Almodovar’s film All About My Mother, or Todo sobre mi madre (1999) both delve…May 14, 20201May 14, 20201
Published inCine SuffragetteMother, Sister, Daughter — Layers of Womanhood in Pedro Almodóvar’s Volver (2006)Pedro Almodóvar’s film Volver (2006) is a blend of several themes including maternity, the countryside as a setting, as well as a female…May 11, 2020May 11, 2020